Reading, Again

Nadia Belerique, I hate you don't leave me, 2015. Inkjet photograph, 42 x 30 cm. Courtesy of Daniel Faria Gallery

Nadia Belerique, I hate you don't leave me, 2015. Inkjet photograph, 42 x 30 cm. Courtesy of Daniel Faria Gallery

Nadia Belerique, I hate you don't leave me, 2015. Inkjet photograph, 42 x 30 cm. Courtesy of Daniel Faria Gallery.

Nadia Belerique, I hate you don't leave me, 2015. Inkjet photograph, 42 x 30 cm. Courtesy of Daniel Faria Gallery.

Laurie Kang, <em>In and Out</em>, 2013-2018. Unfixed, unprocessed photographic paper and darkroom chemicals (continually sensitive), silicone, duratrans, magnets. Courtesy of the artist.

Laurie Kang, In and Out, 2013-2018. Unfixed, unprocessed photographic paper and darkroom chemicals (continually sensitive), silicone, duratrans, magnets. Courtesy of the artist.

Katherine Knight, Bubble, 2000. Chromira digital photo print, 23 x 24 inches. Courtesy of Gallery TPW.

Katherine Knight, Bubble, 2000. Chromira digital photo print, 23 x 24 inches. Courtesy of Gallery TPW.

Wanda Koop, (Black Line) Sightlines, 2000. Acrylic, 90 x 123 cm. Courtesy of Hart House Collection.

Wanda Koop, (Black Line) Sightlines, 2000. Acrylic, 90 x 123 cm. Courtesy of Hart House Collection.

Colin Miner, Untitled (stalactite), 2018-2019. Bronze casts, rock. Courtesy of the artist.

Colin Miner, Untitled (stalactite), 2018-2019. Bronze casts, rock. Courtesy of the artist.

Colin Miner, Untitled (stalactite), 2018-2019. Risographic prints, rock. Courtesy of the artist.

Colin Miner, Untitled (stalactite), 2018-2019. Risographic prints, rock. Courtesy of the artist.

Henri Verge-Serrat, Landscape, 1922. Pen and Ink, 27.3 x 44.5 cm. Courtesy of the Hart House Collection.

Henri Verge-Serrat, Landscape, 1922. Pen and Ink, 27.3 x 44.5 cm. Courtesy of the Hart House Collection.

Curator
Lillian O’Brien Davis
Start Date
12, Sep, 2018
End Date
30, Jun, 2019

Presented in conjunction with the Jackman Humanities Institute’s 2018–19 research theme Reading Faces, Reading Minds, this exhibition seeks to complicate how we think about perception. Works in a diversity of media confront the viewer with perceptual and conceptual disorientation. Some works highlight the way vision is imbued by memory and/or anticipation. Others illuminate the way in which legibility is muddled when something is uncoupled from an original framework or context. There are also works that focus on permeable and delicate structures of looking, such as lenses, filters and screens. When perceptual fibrillations cause cognition to stall, there is an opportunity to explore looking and the conundrum of sight. With this in mind, the exhibition asks visitors to look, yes, look again, and longer this time.

Opening Reception

Wednesday, September 12, 2018, 4-6pm
Jackman Humanities Institute

Blog Post by Lillian O'Brien Davis

Our Supporters

We gratefully acknowledge the operating support from the Canada Council for the Arts and the Ontario Arts Council, with additional project support from the Jackman Humanities Institute.